What is a Monoprint?
A monoprint is
frequently interchanged with the word "monotype". "Monoprint" tends to be used by academics versus those selling art to the design community who prefer the word "monotype".
An artist starts by "painting" or "drawing" with ink on a surface such as a printmaking plate made of aluminum or zinc. Some use a large pane of Plexiglas to paint on. The resulting image is transferred to a piece of paper by placing a sheet of paper on top of the inked plate, running it through a press. One monoprint is yielded looking like what the artist drew with ink. Some residue of ink remains on the printmaking plate. That faint residue of ink becomes the platform from which the artist builds his/her next composition. The secondary composition can employ different colors as well as compositional changes. An advantage of making monoprints is the creation of a rhythm of working, saving time by creating subsequent compositions using the "ghost image" as a starting point for the next work of art.
What is Foxing?
Foxing is
is a condition flaw on a work on paper.
Foxing yields a freckled appearance typically of red brown spots. Currently it is believed these are iron oxides and hydroxides produced by the chemical reaction between the organic acids discharged by mold and the colorless iron salts and impurities embedded in the paper.
Dampness encourages mold. Some types of sizing in the paper also attract fungus growth. Acidic contact materials such as cardboard and animals glues can aggravate the foxing.
Only a professional paper conservator can minimize the appearance of foxing safely.
To read more on this topic, I suggest The Care of Prints and Drawings by Margaret Holben Ellis as well as Prints and The Print Market by Theodore B. Donson.
Showing posts with label prints. Show all posts
Showing posts with label prints. Show all posts
Friday, April 16, 2010
Thursday, February 18, 2010
Starting An Art Collection
Identify what kind of art you like. The following techniques can help you determine what that is:
1. Visit 3 to 6 museums displaying different types of art. Finish your visit by purchasing postcards in the gift shop that reflect artworks that are attractive to you. Toss these cards in a bowl, and don't look at them again until you have visited all the museums on your list. Once you have done so, review all the cards and look for similarities among them in terms of mediums chosen, time period of the artists, or the style of the artworks.
2. Visit your local library and find an art history book that spans at least four centuries of art from many different countries. Use sticky notes to mark your favorite pieces. Again, look for common elements to determine what you like the best.
• Match what you like with what you can afford and what is currently available to buy. Consult with knowledgeable art dealers or art appraisers about costs and availability of what you have selected. Determine your annual budget and the number of pieces you want to be able to purchase with that amount.
• Gather information about the quality of what you like, what you can afford, and what is currently available. Consult with museum personnel and knowledgeable art consultants about what they consider to be quality work.
• Join ancillary museum groups that offer lectures and exposure to valuable information.
• Subscribe to magazines that focus on the type of art you want to collect.
• Don’t rush to acquire art. For many, it’s a lifelong pursuit.
Starting a Contemporary Art Collection
Contact museum curators or art professionals in your area who do not sell.
1. Build a relationship with these professionals by attending lectures where they assemble.
2. Discuss your interest in collecting contemporary art and ask for their recommendations.
3. Listen for names being repeatedly identified as quality artists.
• Attend exhibitions at contemporary art galleries in your area. Ask for information about any work that interests you. This will help you understand what the artist intended for his or her work "to say."
• Go to national and international art fairs to gain additional exposure to contemporary art. Ask for information on work that interests you at these events as well.
• Contact prominent local contemporary artists working in a medium you like and ask them to identify their "hot picks."
• Supplement your efforts by reading art publications such as Art in America, Art Forum, and Art News, as well as magazines directed toward just one kind of medium, for example, Fiberarts or types of art for example, Latinarte, Native Peoples and American Indian Art magazines.
• Join ancillary museum groups focused on contemporary art. These events allow you to experience what experienced collectors of contemporary art have chosen. Travel to other cities with these groups to gain an even greater understanding of contemporary art.
• Do MOST of the steps described above before purchasing for your collection.
1. Visit 3 to 6 museums displaying different types of art. Finish your visit by purchasing postcards in the gift shop that reflect artworks that are attractive to you. Toss these cards in a bowl, and don't look at them again until you have visited all the museums on your list. Once you have done so, review all the cards and look for similarities among them in terms of mediums chosen, time period of the artists, or the style of the artworks.
2. Visit your local library and find an art history book that spans at least four centuries of art from many different countries. Use sticky notes to mark your favorite pieces. Again, look for common elements to determine what you like the best.
• Match what you like with what you can afford and what is currently available to buy. Consult with knowledgeable art dealers or art appraisers about costs and availability of what you have selected. Determine your annual budget and the number of pieces you want to be able to purchase with that amount.
• Gather information about the quality of what you like, what you can afford, and what is currently available. Consult with museum personnel and knowledgeable art consultants about what they consider to be quality work.
• Join ancillary museum groups that offer lectures and exposure to valuable information.
• Subscribe to magazines that focus on the type of art you want to collect.
• Don’t rush to acquire art. For many, it’s a lifelong pursuit.
Starting a Contemporary Art Collection
Contact museum curators or art professionals in your area who do not sell.
1. Build a relationship with these professionals by attending lectures where they assemble.
2. Discuss your interest in collecting contemporary art and ask for their recommendations.
3. Listen for names being repeatedly identified as quality artists.
• Attend exhibitions at contemporary art galleries in your area. Ask for information about any work that interests you. This will help you understand what the artist intended for his or her work "to say."
• Go to national and international art fairs to gain additional exposure to contemporary art. Ask for information on work that interests you at these events as well.
• Contact prominent local contemporary artists working in a medium you like and ask them to identify their "hot picks."
• Supplement your efforts by reading art publications such as Art in America, Art Forum, and Art News, as well as magazines directed toward just one kind of medium, for example, Fiberarts or types of art for example, Latinarte, Native Peoples and American Indian Art magazines.
• Join ancillary museum groups focused on contemporary art. These events allow you to experience what experienced collectors of contemporary art have chosen. Travel to other cities with these groups to gain an even greater understanding of contemporary art.
• Do MOST of the steps described above before purchasing for your collection.
Monday, February 15, 2010
Sounding More Art Savvy
Want to sound like someone who is art savvy? Make sure you don't use the following art "faux pas."
• Using the word "seriagraph" - Actually, there is no such thing as a seriagraph. What you are attempting to reference is a form of printmaking known as a serigraph, screenprint or using past terminology, a silkscreen print.
• Using the word "sketches" - Those who are knowledgeable about art use the term "drawings" instead of sketches.
• Using the word "picture - The word picture suggests an item that is more decorative in nature, while the word "painting" denotes a valuable work of art. The word decorative tends to be used as a put down when commenting on the desirability of a work of art, somewhat akin to the word "interesting".
• Using the words "it's just a print" - There have been prints that have sold for several hundred thousand dollars, for example, works by Mary Cassatt, Pablo Picasso, Hokusai, and Sharaku. Aside from value, some artists did not create paintings, so their entire form of expression used printmaking. Sometimes effects achieved with printmaking cannot be accomplished with painting or drawing directly. If you meant "just a reproduction or a reproductive print", then you are commenting on a photograph of an existing artwork, which does not constitute an original work of art. This is entirely proper.
• Falling into the "art trap" - Whenever you are asked what you think about a painting, check to see if there are similar paintings in the room before responding. A family member or close friend may the proud artist. This is what I call the "art trap." A sharp observer will recognize that each piece is signed with the same name. Find something positive to say. Life in the art lane can be treacherous, but it is just like functioning as an expert witness, Think before you speak.
• Using the word "seriagraph" - Actually, there is no such thing as a seriagraph. What you are attempting to reference is a form of printmaking known as a serigraph, screenprint or using past terminology, a silkscreen print.
• Using the word "sketches" - Those who are knowledgeable about art use the term "drawings" instead of sketches.
• Using the word "picture - The word picture suggests an item that is more decorative in nature, while the word "painting" denotes a valuable work of art. The word decorative tends to be used as a put down when commenting on the desirability of a work of art, somewhat akin to the word "interesting".
• Using the words "it's just a print" - There have been prints that have sold for several hundred thousand dollars, for example, works by Mary Cassatt, Pablo Picasso, Hokusai, and Sharaku. Aside from value, some artists did not create paintings, so their entire form of expression used printmaking. Sometimes effects achieved with printmaking cannot be accomplished with painting or drawing directly. If you meant "just a reproduction or a reproductive print", then you are commenting on a photograph of an existing artwork, which does not constitute an original work of art. This is entirely proper.
• Falling into the "art trap" - Whenever you are asked what you think about a painting, check to see if there are similar paintings in the room before responding. A family member or close friend may the proud artist. This is what I call the "art trap." A sharp observer will recognize that each piece is signed with the same name. Find something positive to say. Life in the art lane can be treacherous, but it is just like functioning as an expert witness, Think before you speak.
Thursday, February 11, 2010
Restaurant Decor Ideas: Serve Unusual Framed Art with the Meal of the Day!
If you feel your restaurant decor is drab, spruce it up with unusual framed art. Every wall can tell a story from the past, reflect a certain theme, or create the dining atmosphere you want for your patrons. There are paintings and posters to reflect almost any theme. From African-American art to Latin art, and even Native art - there's something for every type of restaurant! Here are some great ways to enhance the look and feel of your restaurant with unique framed art.
Jazzy Theme for the Musical Atmosphere
If you want to create a "jazzy" theme, choose framed art that reflects musicians and musical instruments in action. There are several amazing African-American paintings by Bearden that bring the jazz or blues scenes to life with saxophones, guitars, drums and other instruments. Diners will be in the mood for some relaxing live music once they catch a glimpse of your attractive framed art of musicians!
1950s Theme - A Walk in the Past
For a "malt shop" style restaurant, there's nothing better than some great framed prints or posters from the past. Create a nifty atmosphere with framed art or posters of Elvis Presley, classic automobiles, or 1950s-style cafes.
Classical Elegance
Use classical framed art to create an elegant dining experience for your customers. Try gorgeous prints such as Diego's "The Infanta Margarita Teresa in a White Dress" or "Museo del Prado" to illuminate each wall in your restaurant or cafe. Classical framed art can be matched with your restaurant colors or table colors, and you can choose from many styles of elegant wooden frames to complete your decor.
Give your Restaurant Personality with Cultural Themes
If you want to portray a cultural theme in your restaurant, you can choose from a variety of Latin art, African-American art, Native art or other cultural themes to suit your tastes. These come in all different colors, themes and frames so you can easily match paintings to your restaurant decor.
More Framed Art Tips
Don't stop with paintings! Add a touch of individuality to your "walls of art" with other unique home decor items such as wall sconces, wall mirrors, wall fountains and wall plants or flowers. These will attract attention to your framed art so customers will take notice as soon as they enter your restaurant. You can even use small spotlights above or beneath the paintings to illuminate them and add soft lighting to every wall.
Place matching flowers or candles on each table to create a romantic atmosphere. Or, use your table centerpieces to complement the theme of your paintings - no matter what the theme. The possibilities are endless!
Using framed art to decorate your restaurant is easier today than ever before. There are almost unlimited resources online to find all the framed art you need!
Jazzy Theme for the Musical Atmosphere
If you want to create a "jazzy" theme, choose framed art that reflects musicians and musical instruments in action. There are several amazing African-American paintings by Bearden that bring the jazz or blues scenes to life with saxophones, guitars, drums and other instruments. Diners will be in the mood for some relaxing live music once they catch a glimpse of your attractive framed art of musicians!
1950s Theme - A Walk in the Past
For a "malt shop" style restaurant, there's nothing better than some great framed prints or posters from the past. Create a nifty atmosphere with framed art or posters of Elvis Presley, classic automobiles, or 1950s-style cafes.
Classical Elegance
Use classical framed art to create an elegant dining experience for your customers. Try gorgeous prints such as Diego's "The Infanta Margarita Teresa in a White Dress" or "Museo del Prado" to illuminate each wall in your restaurant or cafe. Classical framed art can be matched with your restaurant colors or table colors, and you can choose from many styles of elegant wooden frames to complete your decor.
Give your Restaurant Personality with Cultural Themes
If you want to portray a cultural theme in your restaurant, you can choose from a variety of Latin art, African-American art, Native art or other cultural themes to suit your tastes. These come in all different colors, themes and frames so you can easily match paintings to your restaurant decor.
More Framed Art Tips
Don't stop with paintings! Add a touch of individuality to your "walls of art" with other unique home decor items such as wall sconces, wall mirrors, wall fountains and wall plants or flowers. These will attract attention to your framed art so customers will take notice as soon as they enter your restaurant. You can even use small spotlights above or beneath the paintings to illuminate them and add soft lighting to every wall.
Place matching flowers or candles on each table to create a romantic atmosphere. Or, use your table centerpieces to complement the theme of your paintings - no matter what the theme. The possibilities are endless!
Using framed art to decorate your restaurant is easier today than ever before. There are almost unlimited resources online to find all the framed art you need!
Wednesday, February 3, 2010
Oil On Canvas: Painting Conservation 101
Conservation is defined as remedial attention given to extend the life of a work of art. The process often reconstitutes missing material by additions. These additions may be either visible or invisible and serve to restore the work's unity.
One of the most noticeable defects the public observes on a painted surface is craquelure. Craquelure appears as a minute crazing pattern on a painting's surface. The following layers make up a painting:
1. Stretcher bars are covered by a canvas support
2. Canvas is coated with a sizing medium
3. Gesso (a ground layer) is applied over the sizing medium
4. Paint is layered over the sizing medium
5. Varnish is capped over all these layers
Ideally all these layers dry uniformly. When the harmony of these layers is disrupted, a problem results, requiring conservation. For instance, as the different layers absorb and release moisture, expansion and contraction take place. As the materials age, the ongoing process of change can take its toll. Vibrations when art is transported can be harmful to one or more layers, even though temperature and humidity are controlled.
Returning to craquelure, it is understandable that the canvas has responds to a change in climactic conditions by either shrinking or swelling. The amount of stress might differ from the ground or paint layer. As these materials react to change differently, they result first in craquelure and finally become cleavage. Cleavage is the paint layer lifting from the canvas.
When craquelure appears as a function of age, it is generally left untouched, provided the painting is still legible. Should this condition become cleavage, a professional conservator must be consulted.
Another easily noticed problem is a slackening of the canvas, producing more "play" than was originally intended. Examine the stretcher bars. If all the corners are fixed by glue or nails and cannot be adjusted mechanically, your painting is attached to strainer bars, not stretcher bars. Stretcher bars have keys (wedges of wood that permit adjusting of the bars) or sophisticated metal elements that allow for adjustments. A canvas left for many years on strainer bars could rip once the canvas becomes brittle.
Yellowing or darkening varnish is another readily recognizable issue. About every 25 years, review canvases for a re-application of varnish. First the original varnish must be removed by a professional conservator.
Frequently-Asked Questions
How do I find a good conservator? American Institute of Conservation in Washington, DC 202 452-9545 is one source of competent people. Call your local large museums for recommendations as well as art appraisers in your area.
What can I expect from a conservator? It is customary for you to be provided
a) Estimated cost of treatment
b) Estimated time to complete the treatment
c) Conservator's steps to complete treatment
d) Anticipated result from the treatment (identification of what is possible to remedy and to what degree)
How are the fees assessed? Conservators guestimate the number of hours needed to complete the work (based on their past experience).
Word of caution: Find out if your conservator has insurance and if so, how much and what are the limitations of their coverage. If they do not, call your insurance company to find out their position on insuring your property while it is in the hands of a conservator.
One of the most noticeable defects the public observes on a painted surface is craquelure. Craquelure appears as a minute crazing pattern on a painting's surface. The following layers make up a painting:
1. Stretcher bars are covered by a canvas support
2. Canvas is coated with a sizing medium
3. Gesso (a ground layer) is applied over the sizing medium
4. Paint is layered over the sizing medium
5. Varnish is capped over all these layers
Ideally all these layers dry uniformly. When the harmony of these layers is disrupted, a problem results, requiring conservation. For instance, as the different layers absorb and release moisture, expansion and contraction take place. As the materials age, the ongoing process of change can take its toll. Vibrations when art is transported can be harmful to one or more layers, even though temperature and humidity are controlled.
Returning to craquelure, it is understandable that the canvas has responds to a change in climactic conditions by either shrinking or swelling. The amount of stress might differ from the ground or paint layer. As these materials react to change differently, they result first in craquelure and finally become cleavage. Cleavage is the paint layer lifting from the canvas.
When craquelure appears as a function of age, it is generally left untouched, provided the painting is still legible. Should this condition become cleavage, a professional conservator must be consulted.
Another easily noticed problem is a slackening of the canvas, producing more "play" than was originally intended. Examine the stretcher bars. If all the corners are fixed by glue or nails and cannot be adjusted mechanically, your painting is attached to strainer bars, not stretcher bars. Stretcher bars have keys (wedges of wood that permit adjusting of the bars) or sophisticated metal elements that allow for adjustments. A canvas left for many years on strainer bars could rip once the canvas becomes brittle.
Yellowing or darkening varnish is another readily recognizable issue. About every 25 years, review canvases for a re-application of varnish. First the original varnish must be removed by a professional conservator.
Frequently-Asked Questions
How do I find a good conservator? American Institute of Conservation in Washington, DC 202 452-9545 is one source of competent people. Call your local large museums for recommendations as well as art appraisers in your area.
What can I expect from a conservator? It is customary for you to be provided
a) Estimated cost of treatment
b) Estimated time to complete the treatment
c) Conservator's steps to complete treatment
d) Anticipated result from the treatment (identification of what is possible to remedy and to what degree)
How are the fees assessed? Conservators guestimate the number of hours needed to complete the work (based on their past experience).
Word of caution: Find out if your conservator has insurance and if so, how much and what are the limitations of their coverage. If they do not, call your insurance company to find out their position on insuring your property while it is in the hands of a conservator.
Friday, January 29, 2010
Learn How to Draw with Crayola Crayons
What memories are conjured up when you get a whiff of a brand new box of Crayola crayons? The scent is so unique that it can transport you back to your childhood in a heartbeat. Although I'm well into what is termed "midlife," I eagerly anticipate the experience of my son opening a new box of Crayola crayons. When he does, I'm flooded with memories of my own childhood, and the thrill and wonder of having - if I was lucky - 64 pristine colors from which to choose. The choices weren't always easy, and the box seemed to hold some unanswerable questions. Should I use Thistle or Orchid? Yellow or Lemon Yellow? Why did I have a Red Violet and a Violet Red, or a Green Yellow and a Yellow Green? What, exactly, did Raw Sienna and Raw Umber mean?
Since my childhood, many colors have been retired and others added, so my son can choose from among 120 lustrous colors that range from Wild Blue Yonder and Unmellow Yellow to Purple Pizzazz and Laser Lemon. But, like generations of children before him, my son was set to learn to draw with Crayola Crayons. Learning how to draw was a delight, but he wanted to take his art education - and his Crayola crayons - to the next level.
A couple of years ago, as luck would have it, I was watching "Good Morning America," one day. Crayola was celebrating its centennial, and there was a crayon artist named Jeffrey Robert on the program. I was amazed at the portrait he created of Charles Gibson, and was astounded that such fine art could be produced with Crayola crayons. Through his amazing photorealistic crayon art and coloring techniques, Jeffrey Robert produced art featuring beach chairs, coastal decor, as well as personalized art, wedding gifts, and prints.
After seeing Jeffrey Robert's work, my son was able to learn how to draw with Crayola crayons in a whole new way. One of the techniques the artist used was to draw in a circular motion, applying either light, medium, or heavy pressure. This produced a unique pattern as well as three unique colors. Another technique was to use straight lines, again with light, medium, or heavy pressure. A third technique was to use gradient color, gradually applying more or less pressure to achieve a smooth grade of light to dark.
My son also learned how to color by applying layers of color, one on top of the other, starting with the darkest color and ending with the lightest. He also learned the technique of blending, so he could avoid the "paint by numbers" effect.
It still astounds me to think that fine art isn't confined to oil paints, acrylic paints, pastels, chalk, and ink. It can be achieved with colors like Purple Heart, Pacific Blue, Mountain Meadow, and Pink Sherbet. Not only can anyone learn to draw with Crayola crayons, but they can take those ubiquitous wax sticks and transform them into masterpieces.
Since my childhood, many colors have been retired and others added, so my son can choose from among 120 lustrous colors that range from Wild Blue Yonder and Unmellow Yellow to Purple Pizzazz and Laser Lemon. But, like generations of children before him, my son was set to learn to draw with Crayola Crayons. Learning how to draw was a delight, but he wanted to take his art education - and his Crayola crayons - to the next level.
A couple of years ago, as luck would have it, I was watching "Good Morning America," one day. Crayola was celebrating its centennial, and there was a crayon artist named Jeffrey Robert on the program. I was amazed at the portrait he created of Charles Gibson, and was astounded that such fine art could be produced with Crayola crayons. Through his amazing photorealistic crayon art and coloring techniques, Jeffrey Robert produced art featuring beach chairs, coastal decor, as well as personalized art, wedding gifts, and prints.
After seeing Jeffrey Robert's work, my son was able to learn how to draw with Crayola crayons in a whole new way. One of the techniques the artist used was to draw in a circular motion, applying either light, medium, or heavy pressure. This produced a unique pattern as well as three unique colors. Another technique was to use straight lines, again with light, medium, or heavy pressure. A third technique was to use gradient color, gradually applying more or less pressure to achieve a smooth grade of light to dark.
My son also learned how to color by applying layers of color, one on top of the other, starting with the darkest color and ending with the lightest. He also learned the technique of blending, so he could avoid the "paint by numbers" effect.
It still astounds me to think that fine art isn't confined to oil paints, acrylic paints, pastels, chalk, and ink. It can be achieved with colors like Purple Heart, Pacific Blue, Mountain Meadow, and Pink Sherbet. Not only can anyone learn to draw with Crayola crayons, but they can take those ubiquitous wax sticks and transform them into masterpieces.
Wednesday, January 27, 2010
How To Start Your Own Art Collection On A Budget
It is amazing how the art world seems to have taken a hold of general society. Many more individuals are inclined to forgo reprints and posters and start collecting their own unique art pieces for their homes and offices.
Are you interested in starting your own collection of original art? If you do not have thousands of dollars to spend on famous original artwork then you may wish to consider some other ideas and sources for your art pieces.
One avenue to consider, especially if you have not spent much time cultivating your tastes, is to rent art from a local gallery. You can have an original piece from local artists for a fraction of the cost of purchase. You can also trade in your selection for new pieces which may be refreshing in a business environment, or even a smart way to select art for personal enjoyment if you are not sure which pieces will suit you long term.
Another avenue is to go to local art schools or check your paper for shows by student artists. Here you can buy original pieces by up-and-coming artists for much less than established artists. It also allows you to invest in the growth of local talent, and possibly make an investment that will appreciate enormously in value should the artist truly excel in their field.
If you have an artist's community in your area - studios that are rented by local artists, you may also find that they hold open houses during the year. You may find artwork on sale as they promote themselves through this avenue. It also gives you a chance to speak with the artist and get a real history on the work you select.
Often art collectors are interested as much in the career of the artist as they are in their work. Finding an artist that moves you may cause you to consider collecting from a single artist rather than creating a diverse collection. Following the career of a new artist may give you a more valuable, as well as meaningful, collection down the road.
You may also finding interesting pieces in antique shops, markets and consignment stores. Always keep your eyes open for artwork that appeals to you and do not be too concerned with the value. Art is always subject to individual interpretation and only you can decide if a piece is worthy of your investment.
Do enjoy immersing yourself in your art collecting. Whether it is simply an occasional hobby or becomes an ongoing passion, art is an extension of our imagination that is one of the few truly human pursuits - it fills no need other than emotional - and yet has an impact that intrigues and fulfills us like no other.
Are you interested in starting your own collection of original art? If you do not have thousands of dollars to spend on famous original artwork then you may wish to consider some other ideas and sources for your art pieces.
One avenue to consider, especially if you have not spent much time cultivating your tastes, is to rent art from a local gallery. You can have an original piece from local artists for a fraction of the cost of purchase. You can also trade in your selection for new pieces which may be refreshing in a business environment, or even a smart way to select art for personal enjoyment if you are not sure which pieces will suit you long term.
Another avenue is to go to local art schools or check your paper for shows by student artists. Here you can buy original pieces by up-and-coming artists for much less than established artists. It also allows you to invest in the growth of local talent, and possibly make an investment that will appreciate enormously in value should the artist truly excel in their field.
If you have an artist's community in your area - studios that are rented by local artists, you may also find that they hold open houses during the year. You may find artwork on sale as they promote themselves through this avenue. It also gives you a chance to speak with the artist and get a real history on the work you select.
Often art collectors are interested as much in the career of the artist as they are in their work. Finding an artist that moves you may cause you to consider collecting from a single artist rather than creating a diverse collection. Following the career of a new artist may give you a more valuable, as well as meaningful, collection down the road.
You may also finding interesting pieces in antique shops, markets and consignment stores. Always keep your eyes open for artwork that appeals to you and do not be too concerned with the value. Art is always subject to individual interpretation and only you can decide if a piece is worthy of your investment.
Do enjoy immersing yourself in your art collecting. Whether it is simply an occasional hobby or becomes an ongoing passion, art is an extension of our imagination that is one of the few truly human pursuits - it fills no need other than emotional - and yet has an impact that intrigues and fulfills us like no other.
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