Many visitors to the Pacific Northwest will be exposed to Native Indian art while touring the region, especially in British Columbia. Among this aboriginal artwork are the magnificent hand made Pacific Northwest Native Indian wood carvings by the Canadian aboriginal artists in BC. While in some of the major Canadian cities (Toronto, Vancouver and Montreal) or other tourist areas popular with international visitors such as Banff, such carvings will be seen at various retail shops and displayed at some museums as well as some public areas such as parks. Since Pacific Northwest Native Indian art has been getting more international exposure, people may be seeing this aboriginal fine art form at galleries and museums located outside the Northwest too.
As a result, many tourists and art collectors will decide to purchase Native Indian art as nice souvenirs for their homes or as very unique gifts for others. Assuming that the intention is to acquire an authentic piece rather than a cheap tourist imitation, the question arises on how does one tell apart the real thing from the fakes? It would be pretty disappointing to bring home a piece bought in Vancouver only to find out later that it isn’t authentic or even made in Canada. One would have to be careful in tourist areas where all sorts of other souvenirs such as t-shirts, hockey jerseys, postcards, key chains, maple syrup and other Canadian items are sold.
The safest places to shop for Pacific Northwest Native Indian art carvings to ensure authenticity are always the reputable galleries that specialize in Native Indian art. Some of these galleries have advertisements in the city tourist guides found in hotels. Reputable Native Indian art galleries are also listed in magazines which focus on Native art such as American Indian Art and Native Peoples. These galleries will usually be located in the downtown tourist areas of major cities or within Indian reservations. When one walks into these galleries, one will see that there will be only Native Indian art and none of the other usual tourist souvenirs such as t-shirts or postcards. These galleries will have only authentic Native Indian art for sale as they do not deal with imitations or fakes. The carvings are usually signed by the carver.
Some of these galleries also have websites so you could shop and buy authentic Native Indian carvings from home anywhere in the world. In addition to these street retail specialty galleries, there are now reputable online galleries that also specialize in authentic Native Indian art. These online galleries are a good option for buying art since the prices are usually lower than those at street retail galleries due to lower overheads. Of course, like any other shopping on the internet, one must be careful so when dealing with an online gallery, make sure that their pieces have information on the actual artist or carver to ensure authenticity.
Some tourist shops do carry authentic Native Indian art as well as the other touristy souvenirs in order to cater to all types of tourists. When shopping at these types of stores, it is possible to tell apart the real pieces from the reproductions. Authentic Native Indian carvings are carved from wood. Reproductions are made of plastic or resin from a mold will be much lighter in weight. A reproduction will sometimes have a company name on it and will never feature an artist’s signature.
An authentic Native Indian carving is a one of a kind piece of artwork and nothing else on the store shelves will look exactly like it. If there are duplicates of a certain piece with exact details, the piece is not authentic. If a piece looks too perfect in detail with absolute straight bottoms or sides like the fake totem poles shown in the previous chapter, it is probably not real. Of course, if a piece features a sticker indicating that is was made in an Asian country, then it is obviously a fake. There will also be a huge price difference between authentic pieces and the imitations.
Where it becomes more difficult to determine authenticity are with the reproductions that are also made of wood or some type of wood composite. This can be a real gray area to those unfamiliar with authentic Native Indian art. They may even have some type of tag indicating that it was hand made or painted but if there are other pieces on the shelves that look too similar in detail, they are most likely crafts produced in large quantities rather than authentic fine art originals. The authentic pieces will always be the highest priced and are usually kept in a separate shelf or wall within the store.
Showing posts with label northwest. Show all posts
Showing posts with label northwest. Show all posts
Tuesday, March 23, 2010
Wednesday, March 17, 2010
The Wild Man and Wild Woman of Canadian First Nations Art
Two of the more interesting characters from the Northwest coast Canadian First Nations art world include the Wild Man and the Wild Woman of the woods. These two are often portrayed in very dramatic looking masks carved by Northwest coast Canadian First Nations artists.
The Wild Man of the woods from Canadian First Nations art is called Bak’was and is a small human-like creature who lives in the forest. He has deep round eyes that are sunken into his sockets and brows that jut out forward. His cheeks are hollow, his mouth is often grimacing and his nose appears like a hooked beak. It is said that the Wild Man can sometimes be seen early in the morning on the beach collecting cockles which are a type of mollusk as his food. The Wild Man is also considered the chief of ghosts and spirits of people who drowned are often hovering near him. Humans must beware of the Wild Man tempting others to join him for a meal. If one eats some of the Wild Man’s food, one will turn into a being just like him.
In contrast to the Wild Man, the Wild Woman of the woods or Dzunuk’wa as she is known, is a giant powerful and fearsome figure twice the size of humans. From Northwest coast Canadian First Nations art and legend, she is a dark and hairy ogress with supernatural powers. Her almost blind eyes are also large and sunken like those of the Wild Man but sometimes they have a red glow. She is usually portrayed making her wild call (“Uh, huu, uu, uu”) with her open mouth and thick red puckered lips. It is said that if children foolishly wander into the forest, the Wild Woman will capture them and eat them. The Wild Woman carries a basket on her back which contains the children that she caught. Fortunately, she is not considered very bright and usually the children are able to outsmart her in escaping. Interestingly enough, even though the Wild Woman represents the dark and dangerous side of the forests, she is also a bringer of wealth for some Northwest coast Canadian First Nations tribes. A Wild Woman mask can be considered somewhat of a status symbol that only some powerful and rich Northwest coast Canadian First Nations families have.
The Wild Man of the woods from Canadian First Nations art is called Bak’was and is a small human-like creature who lives in the forest. He has deep round eyes that are sunken into his sockets and brows that jut out forward. His cheeks are hollow, his mouth is often grimacing and his nose appears like a hooked beak. It is said that the Wild Man can sometimes be seen early in the morning on the beach collecting cockles which are a type of mollusk as his food. The Wild Man is also considered the chief of ghosts and spirits of people who drowned are often hovering near him. Humans must beware of the Wild Man tempting others to join him for a meal. If one eats some of the Wild Man’s food, one will turn into a being just like him.
In contrast to the Wild Man, the Wild Woman of the woods or Dzunuk’wa as she is known, is a giant powerful and fearsome figure twice the size of humans. From Northwest coast Canadian First Nations art and legend, she is a dark and hairy ogress with supernatural powers. Her almost blind eyes are also large and sunken like those of the Wild Man but sometimes they have a red glow. She is usually portrayed making her wild call (“Uh, huu, uu, uu”) with her open mouth and thick red puckered lips. It is said that if children foolishly wander into the forest, the Wild Woman will capture them and eat them. The Wild Woman carries a basket on her back which contains the children that she caught. Fortunately, she is not considered very bright and usually the children are able to outsmart her in escaping. Interestingly enough, even though the Wild Woman represents the dark and dangerous side of the forests, she is also a bringer of wealth for some Northwest coast Canadian First Nations tribes. A Wild Woman mask can be considered somewhat of a status symbol that only some powerful and rich Northwest coast Canadian First Nations families have.
Monday, March 15, 2010
The Salmon in Northwest Native Indian Artwork and Culture
There are several species of salmon fish in the Pacific Northwest region. These are the Coho, Sockeye, Pink, Chum, Atlantic and the largest which is the King or Chinook. Salmon are born in the rivers and swim down to the ocean where they live in the saltwater. At spawning time, they return to the river where they were born, lay the eggs, and then die. The young hatch and start the life cycle over again. Salmon fish have always been an important mainstay food source for the Northwest Native Indian people as well as much wildlife in the region including many large birds, bears, and river otters. This is the reason why the salmon is a popular subject in Northwest Native Indian artwork and culture.
According to Northwest Native Indian legend, the salmon were actually people with superhuman abilities and eternal lives. The Salmon people lived in great houses under the ocean but since they knew that humans on land needed food, they offered themselves to the land based tribes as food by turning into salmon fish. Their spirits were returned back to the ocean where they were reborn again. One tribe on land was short of food because the salmon never came to their waters. But they heard about the Salmon people. So the chief sent out an expedition to find these Salmon people in order to ask them to come to their waters. After many days of travel, the expedition arrived in a new land where the Salmon people were. The chief of the Salmon people ordered four of their villagers to go into the sea where they became salmon as soon as the water reached their faces. He ordered others to retrieve these new salmon fish which were then cooked as a welcoming feast for the guests in the expedition.
The chief told the guests to eat as much but the bones of the salmon fish, even the smallest ones, were not to be thrown out. All of the salmon bones were collected by the villagers after the guests were careful enough to lay them into little piles. The Salmon people then threw these bones back into the water. Minutes later, the four individuals who originally turned into the salmon fish reappeared and joined the others.
Over the next few days, the guests watched the Salmon people repeat this process with the salmon bones over and over again. However, during a subsequent feast, one of the guests from the expedition secretly held back some of the salmon bones. This time, when one of the Salmon people came back from out of the water, he was covering his face and said that some of the bones must be missing since his cheeks were gone. Another said that she was missing her chin. Alarmed by what had happened, the guest brought out the missing salmon bones he had previously held back. The two Salmon people with missing body parts then went back into the sea with these bones. Upon their return back to land, both Salmon people had their complete bodies again.
The expedition asked the chief to let some of his Salmon people visit their waters and streams to help supply much needed food. The chief agreed to do so as long as the tribe agreed to throw back all the salmon bones into the water so that the Salmon people could return home intact. If this was not respected, the tribe was told that the Salmon people would refuse to return to the tribe's waters. So the tribe always honored the return of the salmon to their streams every year and respected the rules set by the Salmon people chief. This ensured an adequate food supply for the tribe every year.
One interesting fact is that when White men first arrived to the region, the Northwest Native Indian people did not want to sell salmon to them. It was feared that the salmon not be treated with respect by the White men who were ignorant of the required customs and regulations set by the Salmon people.
According to Northwest Native Indian legend, the salmon were actually people with superhuman abilities and eternal lives. The Salmon people lived in great houses under the ocean but since they knew that humans on land needed food, they offered themselves to the land based tribes as food by turning into salmon fish. Their spirits were returned back to the ocean where they were reborn again. One tribe on land was short of food because the salmon never came to their waters. But they heard about the Salmon people. So the chief sent out an expedition to find these Salmon people in order to ask them to come to their waters. After many days of travel, the expedition arrived in a new land where the Salmon people were. The chief of the Salmon people ordered four of their villagers to go into the sea where they became salmon as soon as the water reached their faces. He ordered others to retrieve these new salmon fish which were then cooked as a welcoming feast for the guests in the expedition.
The chief told the guests to eat as much but the bones of the salmon fish, even the smallest ones, were not to be thrown out. All of the salmon bones were collected by the villagers after the guests were careful enough to lay them into little piles. The Salmon people then threw these bones back into the water. Minutes later, the four individuals who originally turned into the salmon fish reappeared and joined the others.
Over the next few days, the guests watched the Salmon people repeat this process with the salmon bones over and over again. However, during a subsequent feast, one of the guests from the expedition secretly held back some of the salmon bones. This time, when one of the Salmon people came back from out of the water, he was covering his face and said that some of the bones must be missing since his cheeks were gone. Another said that she was missing her chin. Alarmed by what had happened, the guest brought out the missing salmon bones he had previously held back. The two Salmon people with missing body parts then went back into the sea with these bones. Upon their return back to land, both Salmon people had their complete bodies again.
The expedition asked the chief to let some of his Salmon people visit their waters and streams to help supply much needed food. The chief agreed to do so as long as the tribe agreed to throw back all the salmon bones into the water so that the Salmon people could return home intact. If this was not respected, the tribe was told that the Salmon people would refuse to return to the tribe's waters. So the tribe always honored the return of the salmon to their streams every year and respected the rules set by the Salmon people chief. This ensured an adequate food supply for the tribe every year.
One interesting fact is that when White men first arrived to the region, the Northwest Native Indian people did not want to sell salmon to them. It was feared that the salmon not be treated with respect by the White men who were ignorant of the required customs and regulations set by the Salmon people.
Thursday, March 4, 2010
The Orca Killer Whale in Pacific Northwest Coast Art
One of the most awesome creatures in both real life and in Pacific Northwest coast art is the orca or killer whale. Feared many years ago but now loved by millions of people around the world, the killer whale is one of the most prominent subjects for Pacific Northwest coast artists. The killer whale is regarded as the guardian as well as the ruler of the sea because of its sheer size and power. The killer whale is also seen as the best hunter of the sea.
Killer whales are symbols of longevity and romance since they are believed to mate for life. It is said that if fishermen ever injure a killer whale, it will capsize the canoe sinking the fishermen to the Village of the Whales. It is here where the fishermen will be transformed into whales themselves. Whales near the shore are believed to be humans who were transformed trying to communicate with their previous human families ashore. Others believe that killer whales are reincarnations of deceased native chiefs. Some legends claim that the first killer whale was previously a supernatural white wolf that entered the sea and transformed into a whale. Mother Earth painted
markings on the side of the killer whale as a reminder that it used to be a member of the wolf family. Indeed, both the killer whale and wolf share similar characteristics as they both have similar coloring. They both also stay and hunt in family packs. There are also legends that describe the killer whale being able to transform back and forth into a wolf.
Killer whales are thought to be the prey of the mythical thunderbird who is powerful enough to capture and carry a killer whale back to the mountains. The geography of some parts of the Pacific Northwest coast region is thought to be the result of a legendary battle between the killer whale and thunderbird. The Haida have a legend about a raven finned killer whale who is a whale chief carrying a raven perched on top of his dorsal fin.
The orca or killer whale is one of the most popular subjects of Pacific Northwest Coast art. A piece of Pacific Northwest Coast art or jewelry featuring a killer whale is considered a most appropriate gift of romance or a present for an individual who brings harmony into one's life.
Killer whales are symbols of longevity and romance since they are believed to mate for life. It is said that if fishermen ever injure a killer whale, it will capsize the canoe sinking the fishermen to the Village of the Whales. It is here where the fishermen will be transformed into whales themselves. Whales near the shore are believed to be humans who were transformed trying to communicate with their previous human families ashore. Others believe that killer whales are reincarnations of deceased native chiefs. Some legends claim that the first killer whale was previously a supernatural white wolf that entered the sea and transformed into a whale. Mother Earth painted
markings on the side of the killer whale as a reminder that it used to be a member of the wolf family. Indeed, both the killer whale and wolf share similar characteristics as they both have similar coloring. They both also stay and hunt in family packs. There are also legends that describe the killer whale being able to transform back and forth into a wolf.
Killer whales are thought to be the prey of the mythical thunderbird who is powerful enough to capture and carry a killer whale back to the mountains. The geography of some parts of the Pacific Northwest coast region is thought to be the result of a legendary battle between the killer whale and thunderbird. The Haida have a legend about a raven finned killer whale who is a whale chief carrying a raven perched on top of his dorsal fin.
The orca or killer whale is one of the most popular subjects of Pacific Northwest Coast art. A piece of Pacific Northwest Coast art or jewelry featuring a killer whale is considered a most appropriate gift of romance or a present for an individual who brings harmony into one's life.
Friday, January 29, 2010
Introduction to Northwest Coast Native American Art
I had lived in Vancouver very briefly as a child and it was during that time when I was first exposed to the art of the Northwest Coast Native American Indians. It was the towering colorful totem poles out in Stanley Park that everyone gazed at with wonder and appreciation. It took about 30 years later during a return trip to Vancouver when Northwest Coast Native American art caught my eyes again.
I was in Vancouver for business and landed at the city's new airport terminal. One could not help but notice the huge native carvings near the arrivals area. Later on during my stay, I decided to wander around in the Gastown district. It was in these shops and galleries in Gastown where I fell in love with Northwest Coast Native American art. I saw many wonderful wooden plaques representing different animals. There were also art prints, paintings, masks, wooden bowls and even furnature with these animals either painted or carved right into the pieces.
The colors and designs, which might be considered a bit exaggerated to non-native eyes, were striking as well as bold. I knew at that time that I wanted to include some of this magnificent artwork on my walls back at home. So I bought two plaque carvings and carried them home like newly found treasure.
Historically, the native Indians who lived along the river valleys and coastal waters of the Pacific Northwest were all hunters and gatherers. The region was blessed with abundant resources from both the seas and forests. These people captured in their artwork the animals they hunted and observed. These included bears, killer whales, eagles, ravens, salmons, wolves, hummingbirds and even frogs. Chiefs and mythical characters important in their legends such as thunderbirds were also included as art subjects.
Northwest Coast Native American art is just only recently gaining some major attention in some galleries and museums around the world. Compared to other native arts such as Inuit (Eskimo), exposure of Northwest Coast Native American art is still rather limited to the northwest coast of Canada and the United States. This form of artwork is virtually unknown to most parts of the world including many regions of North America. This will hopefully change as more people from around the world travel to Vancouver. The future winter Olympics in 2010 up in Whistler, BC will also have a positive impact on the region's Native Indian art. I personally believe that Northwest Coast Native American art has a lot of potential to be internationally recognized and accepted.
I was in Vancouver for business and landed at the city's new airport terminal. One could not help but notice the huge native carvings near the arrivals area. Later on during my stay, I decided to wander around in the Gastown district. It was in these shops and galleries in Gastown where I fell in love with Northwest Coast Native American art. I saw many wonderful wooden plaques representing different animals. There were also art prints, paintings, masks, wooden bowls and even furnature with these animals either painted or carved right into the pieces.
The colors and designs, which might be considered a bit exaggerated to non-native eyes, were striking as well as bold. I knew at that time that I wanted to include some of this magnificent artwork on my walls back at home. So I bought two plaque carvings and carried them home like newly found treasure.
Historically, the native Indians who lived along the river valleys and coastal waters of the Pacific Northwest were all hunters and gatherers. The region was blessed with abundant resources from both the seas and forests. These people captured in their artwork the animals they hunted and observed. These included bears, killer whales, eagles, ravens, salmons, wolves, hummingbirds and even frogs. Chiefs and mythical characters important in their legends such as thunderbirds were also included as art subjects.
Northwest Coast Native American art is just only recently gaining some major attention in some galleries and museums around the world. Compared to other native arts such as Inuit (Eskimo), exposure of Northwest Coast Native American art is still rather limited to the northwest coast of Canada and the United States. This form of artwork is virtually unknown to most parts of the world including many regions of North America. This will hopefully change as more people from around the world travel to Vancouver. The future winter Olympics in 2010 up in Whistler, BC will also have a positive impact on the region's Native Indian art. I personally believe that Northwest Coast Native American art has a lot of potential to be internationally recognized and accepted.
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