I read an amazing article by Grayson Perry entitled "How art appreciates - it's a class act". In a nutshell he reckoned that art finds its true monetary value from what the experts say. But I can see something more from what he says.
If a piece of art is to be labeled as having any "value" at all it is what is said about it that establishes it as a work worthy of an individuals attention.
In other words ... if you see a picture and it relates to you in some way (this can be either positively or negatively) - then you should say so ... and write it down.
So once one remark has been made then others will follow ... plus other people will look at the work and make their own minds up about it, and they will also read about what you have said ... and they will include your critique in their weighing up of the image.
I am not necessarily talking only about financial worth, no, here is a far greater opportunity which is all inclusive, wonderfully mutual, and offers the chance for anyone - and everyone ... to add to the worthiness of any piece of art - and eventually to the whole of society. What YOU have to say about a particular artwork is very important ... even vital not only to the work, or the artist, or that particular type of work, or to your locality, or to your region, or to your country ... but to the World! (I am referring here to the butterfly wing beat theory ... if you don't know about it then you must look it up ... it really puts value onto the individual within a world context ... fantastic - but I believe it's true).
Let's look at this in a bit more detail, first from the artist's point of view ...
If, when you exhibit your art, you value what people have to say about your work (and I don't mean if you want everyone to love everything you do otherwise you will sulk and withdraw into yourself), and are happy for observers to voice their opinion about it - make sure you have a visitors book easily available for any remarks to be made (remember ... even someone who only wants to deface the book is actually saying something about themselves - and their society ... and your work might be evoking a challenge to them so much that their only response can be a defensive one such as vandalism - therefore even this has a value in itself - and strangely actually places a value upon your work). These can have a use later on in publicity, and in some cases can be seen as endorsements for your style of work.
If you have a website then a well placed, easy to understand and use, guest-book or visitors book, or comments page are very useful reference points for you and your work. If visitors refer to a particular image then their critique might be worthy of adding to the page that the picture is on. That way other observers can get to read observations coming from different points of view. Of course, if a visitor does not want to be influenced - then they can just simply ignore anything that is written. However, others may well find such additional information from the "man-in-the-street" helpful to them as they try to assimilate what they see. What is written will be of far greater value to them - and to you the artist in may other areas too. And if you are trying to sell your work then a timely encouraging comment from a third party might persuade an otherwise hesitant buyer into making that sort after commitment.
Now from the visitors point of view ...
It is a truly wonderful thing to be "touched" by a piece of art in a gallery. When ever I have found myself slowly being drawn into a painting I immediately want to verbalize what I am receiving - I might want to shout or laugh loudly ... but more likely I would want to put down in writing a description of what I am seeing, what I am feeling, and what kind of inspiration I might begin to cultivate ... and what intention I might want to start getting in motion (which is why I always carry a notepad around with me).
So I would encourage, even exhort, the viewer not to just take a back step and move on to another picture. But rather I want them to commit their thoughts, frustrations, emotions, decisions, resolutions ... anything which has come directly from looking at a piece of art, commit these to paper - find the visitors book and, if necessary, fill it with your reactions to the work. By doing this the visitor is rightly placing themselves into the "experts" chair. So any thoughts and points of view are worthy of note. If you have a view on a piece of work then it should be heard.
It is the same - or should be - when visiting a website. In fact it can be easier to make an anonymous comment on the internet. A lot of sites give you the opportunity to make a comment without having to give your name, email address - or any information other than the words you want to type. So if you are that sort of person then don't be afraid but try to get into the habit of writing down your views. You might actually WANT to reveal who you are or put down your area of expertise ... be it the university professor or the "public highway hygiene technician" ... because what you say matters ... whoever you are.
What will happen here is that as comments are made and attached to a work others will read them and, having viewed the piece themselves, they will make their own point of view whether for or against other comments ... and the work will gain its own merit from what is said.
So while the top artists are busy vying for that hallowed multi-millionaire-and-totally-famous-artists kind of place - the rest of us can get on and work, and receive a much more valuable encouragement ... that of the humble, if not down-to-earth, endorsements from our fellow human beings.
Don't be afraid ... be truthful ... tell it like it is ... and watch what happens.
Showing posts with label paintings. Show all posts
Showing posts with label paintings. Show all posts
Monday, April 19, 2010
Friday, April 16, 2010
What Is A Monoprint? What Is Foxing
What is a Monoprint?
A monoprint is
frequently interchanged with the word "monotype". "Monoprint" tends to be used by academics versus those selling art to the design community who prefer the word "monotype".
An artist starts by "painting" or "drawing" with ink on a surface such as a printmaking plate made of aluminum or zinc. Some use a large pane of Plexiglas to paint on. The resulting image is transferred to a piece of paper by placing a sheet of paper on top of the inked plate, running it through a press. One monoprint is yielded looking like what the artist drew with ink. Some residue of ink remains on the printmaking plate. That faint residue of ink becomes the platform from which the artist builds his/her next composition. The secondary composition can employ different colors as well as compositional changes. An advantage of making monoprints is the creation of a rhythm of working, saving time by creating subsequent compositions using the "ghost image" as a starting point for the next work of art.
What is Foxing?
Foxing is
is a condition flaw on a work on paper.
Foxing yields a freckled appearance typically of red brown spots. Currently it is believed these are iron oxides and hydroxides produced by the chemical reaction between the organic acids discharged by mold and the colorless iron salts and impurities embedded in the paper.
Dampness encourages mold. Some types of sizing in the paper also attract fungus growth. Acidic contact materials such as cardboard and animals glues can aggravate the foxing.
Only a professional paper conservator can minimize the appearance of foxing safely.
To read more on this topic, I suggest The Care of Prints and Drawings by Margaret Holben Ellis as well as Prints and The Print Market by Theodore B. Donson.
A monoprint is
frequently interchanged with the word "monotype". "Monoprint" tends to be used by academics versus those selling art to the design community who prefer the word "monotype".
An artist starts by "painting" or "drawing" with ink on a surface such as a printmaking plate made of aluminum or zinc. Some use a large pane of Plexiglas to paint on. The resulting image is transferred to a piece of paper by placing a sheet of paper on top of the inked plate, running it through a press. One monoprint is yielded looking like what the artist drew with ink. Some residue of ink remains on the printmaking plate. That faint residue of ink becomes the platform from which the artist builds his/her next composition. The secondary composition can employ different colors as well as compositional changes. An advantage of making monoprints is the creation of a rhythm of working, saving time by creating subsequent compositions using the "ghost image" as a starting point for the next work of art.
What is Foxing?
Foxing is
is a condition flaw on a work on paper.
Foxing yields a freckled appearance typically of red brown spots. Currently it is believed these are iron oxides and hydroxides produced by the chemical reaction between the organic acids discharged by mold and the colorless iron salts and impurities embedded in the paper.
Dampness encourages mold. Some types of sizing in the paper also attract fungus growth. Acidic contact materials such as cardboard and animals glues can aggravate the foxing.
Only a professional paper conservator can minimize the appearance of foxing safely.
To read more on this topic, I suggest The Care of Prints and Drawings by Margaret Holben Ellis as well as Prints and The Print Market by Theodore B. Donson.
Thursday, April 15, 2010
What is a Giclee?
In the French dictionary a giclee (zhee-CLAY) will be defined as meaning “to spray or squirt.” However others might say "giclee" doesn't mean "to spray,” that "Giclee" isn't an infinitive and that it is the feminine of a past participle. So if there is some argument over what the term Giclee means I believe that the intention of the term is to define a printed copy of an original artwork. Giclee is basically scanning the artwork and then using that scan to print it out on a special printer. This printer is not the same as a standard desktop inkjet printer, and is much larger. Giclee prints are a little over a meter wide and are often referred to as a “knitting machine” as they look very similar.
Giclees are produced from digital scans of existing artwork. Also, since many artists now produce only digital art, there is no "original" that can be hung on a wall. Giclees solve that problem, while creating a whole new vibrant digital medium for art.
When printing there are any number of media for example canvas to watercolor paper to transparent acetates. Giclees are better then the traditional lithography in many ways. The colors are brighter, last longer and are so high-resolution that they are virtually continuous tone, rather than tiny dots. The range of color for giclees is far beyond that of lithography, and by viewing in comparison with each other you will find that the details are far crisper in giclee.
Lithography prints use tiny dots of four colors--cyan, magenta, yellow and black; to fool the eye into seeing various hues and shades. Colors are "created" by printing different size dots of these four colors.
Again Giclees use inkjet technology, but more sophisticated than your desktop printer. The process employs six colors--light cyan, cyan, light magenta, magenta, yellow and black--of lightfast, pigmented inks and finer, more numerous, and replaceable print heads resulting in a wider color gamut, and the ability to use various media to print on. The ink is sprayed onto the page, actually mixing the color on the page to create true shades and hues.
Giclees were originally developed as a proofing system for lithograph printing presses, but it became apparent that the presses were having a hard time delivering the quality and color of the giclee proofs. They evolved into the more popular form over lithography’s and are now the cheaper and more common way to make a copy print. They are coveted by collectors for their fidelity and quality, and desired by galleries because they don't have to be produced in huge quantities with their large layout of capital and storage.
In addition, Giclees are produced directly from a digital file that is created by scanning the original. This will save generations of detail-robbing negatives and printing plates, as with traditional printing.
View our Fine Art Gallery at
www.houseofcachet.com
Giclees are produced from digital scans of existing artwork. Also, since many artists now produce only digital art, there is no "original" that can be hung on a wall. Giclees solve that problem, while creating a whole new vibrant digital medium for art.
When printing there are any number of media for example canvas to watercolor paper to transparent acetates. Giclees are better then the traditional lithography in many ways. The colors are brighter, last longer and are so high-resolution that they are virtually continuous tone, rather than tiny dots. The range of color for giclees is far beyond that of lithography, and by viewing in comparison with each other you will find that the details are far crisper in giclee.
Lithography prints use tiny dots of four colors--cyan, magenta, yellow and black; to fool the eye into seeing various hues and shades. Colors are "created" by printing different size dots of these four colors.
Again Giclees use inkjet technology, but more sophisticated than your desktop printer. The process employs six colors--light cyan, cyan, light magenta, magenta, yellow and black--of lightfast, pigmented inks and finer, more numerous, and replaceable print heads resulting in a wider color gamut, and the ability to use various media to print on. The ink is sprayed onto the page, actually mixing the color on the page to create true shades and hues.
Giclees were originally developed as a proofing system for lithograph printing presses, but it became apparent that the presses were having a hard time delivering the quality and color of the giclee proofs. They evolved into the more popular form over lithography’s and are now the cheaper and more common way to make a copy print. They are coveted by collectors for their fidelity and quality, and desired by galleries because they don't have to be produced in huge quantities with their large layout of capital and storage.
In addition, Giclees are produced directly from a digital file that is created by scanning the original. This will save generations of detail-robbing negatives and printing plates, as with traditional printing.
View our Fine Art Gallery at
www.houseofcachet.com
Wednesday, March 3, 2010
The Many Faces Of Face Painting
Face painting is one of the cherished activities of festivals, carnivals, parades and events across the country. More and more holidays are beginning to use face painting as a great activity for kids. Schools can also incorporate it as a station on their annual field day. Halloween may boast the most face painting out of any holiday, but summer fairs and county festivals run close behind. The designs are too innumerable to count. A face can be transformed in its entirety, into an animal, character or monster. Face painters often use stencils, which are painted and then stamped onto the face, and can be popular, too. Whatever designs the children, or even adult asks the face painter for, there are a hundred ways to go about getting a great design.
Stencils and stamps are probably the easiest way for beginners to successfully do face painting. The stencils themselves can be cleaned with alcohol or wet wipes between paintings for sanitary reasons. A brush is then used to apply a new color or set of colors for the next child. Different colors can be used for separate parts of the stamp. For example, a butterfly can be outlined in blue and filled in with yellow. The stamp is then pressed against the person's cheek. This is a good way to get the lines just right each time.
Many people who do face painting will do everything with a paint brush. Whiskers, dog eyes, hearts, rainbows and Spider Man are all popular. For the 4th of July, a face could be painted completely with red, white and blue stars. For Easter, decorative eggs, bunny rabbits, flowers and baskets can all easily be painted onto the face. Try hearts for Valentine's Day, or a candy cane face with alternating red and white stripes for a wild, Christmas gathering. People will surprise face painters with creative requests, however. Be prepared to paint just about any character, emblem or color imaginable.
Halloween certainly boasts the biggest number of face painted ghouls, vampires, monsters and more. For the Hulk, one can simply paint their faces green. You can also use a simple Halloween theme, as well. Try bats, a spider web face, or an eerie yellowish tint for a witch's face. Zombies and ghouls can cast sunken features under their eyes and paint blood around their mouths. Of course, the characters don't have to be scary. It's not hard to paint a clown face, with a little patience for painting a giant mouth, or using a solid color to enhance a costume, such as a giant raisin, bear or anything else one can build or find a costume for. Many Halloween costumes will provide directions for adding face painting. There are also plenty of kits in stores or on the web, which are geared for specific characters, or that come with all the colors for one's own creativity to come out. In general, these paints are a little thicker and harder to remove than the typical face paint used for your everyday festival or event.
Stencils and stamps are probably the easiest way for beginners to successfully do face painting. The stencils themselves can be cleaned with alcohol or wet wipes between paintings for sanitary reasons. A brush is then used to apply a new color or set of colors for the next child. Different colors can be used for separate parts of the stamp. For example, a butterfly can be outlined in blue and filled in with yellow. The stamp is then pressed against the person's cheek. This is a good way to get the lines just right each time.
Many people who do face painting will do everything with a paint brush. Whiskers, dog eyes, hearts, rainbows and Spider Man are all popular. For the 4th of July, a face could be painted completely with red, white and blue stars. For Easter, decorative eggs, bunny rabbits, flowers and baskets can all easily be painted onto the face. Try hearts for Valentine's Day, or a candy cane face with alternating red and white stripes for a wild, Christmas gathering. People will surprise face painters with creative requests, however. Be prepared to paint just about any character, emblem or color imaginable.
Halloween certainly boasts the biggest number of face painted ghouls, vampires, monsters and more. For the Hulk, one can simply paint their faces green. You can also use a simple Halloween theme, as well. Try bats, a spider web face, or an eerie yellowish tint for a witch's face. Zombies and ghouls can cast sunken features under their eyes and paint blood around their mouths. Of course, the characters don't have to be scary. It's not hard to paint a clown face, with a little patience for painting a giant mouth, or using a solid color to enhance a costume, such as a giant raisin, bear or anything else one can build or find a costume for. Many Halloween costumes will provide directions for adding face painting. There are also plenty of kits in stores or on the web, which are geared for specific characters, or that come with all the colors for one's own creativity to come out. In general, these paints are a little thicker and harder to remove than the typical face paint used for your everyday festival or event.
Thursday, February 18, 2010
Starting An Art Collection
Identify what kind of art you like. The following techniques can help you determine what that is:
1. Visit 3 to 6 museums displaying different types of art. Finish your visit by purchasing postcards in the gift shop that reflect artworks that are attractive to you. Toss these cards in a bowl, and don't look at them again until you have visited all the museums on your list. Once you have done so, review all the cards and look for similarities among them in terms of mediums chosen, time period of the artists, or the style of the artworks.
2. Visit your local library and find an art history book that spans at least four centuries of art from many different countries. Use sticky notes to mark your favorite pieces. Again, look for common elements to determine what you like the best.
• Match what you like with what you can afford and what is currently available to buy. Consult with knowledgeable art dealers or art appraisers about costs and availability of what you have selected. Determine your annual budget and the number of pieces you want to be able to purchase with that amount.
• Gather information about the quality of what you like, what you can afford, and what is currently available. Consult with museum personnel and knowledgeable art consultants about what they consider to be quality work.
• Join ancillary museum groups that offer lectures and exposure to valuable information.
• Subscribe to magazines that focus on the type of art you want to collect.
• Don’t rush to acquire art. For many, it’s a lifelong pursuit.
Starting a Contemporary Art Collection
Contact museum curators or art professionals in your area who do not sell.
1. Build a relationship with these professionals by attending lectures where they assemble.
2. Discuss your interest in collecting contemporary art and ask for their recommendations.
3. Listen for names being repeatedly identified as quality artists.
• Attend exhibitions at contemporary art galleries in your area. Ask for information about any work that interests you. This will help you understand what the artist intended for his or her work "to say."
• Go to national and international art fairs to gain additional exposure to contemporary art. Ask for information on work that interests you at these events as well.
• Contact prominent local contemporary artists working in a medium you like and ask them to identify their "hot picks."
• Supplement your efforts by reading art publications such as Art in America, Art Forum, and Art News, as well as magazines directed toward just one kind of medium, for example, Fiberarts or types of art for example, Latinarte, Native Peoples and American Indian Art magazines.
• Join ancillary museum groups focused on contemporary art. These events allow you to experience what experienced collectors of contemporary art have chosen. Travel to other cities with these groups to gain an even greater understanding of contemporary art.
• Do MOST of the steps described above before purchasing for your collection.
1. Visit 3 to 6 museums displaying different types of art. Finish your visit by purchasing postcards in the gift shop that reflect artworks that are attractive to you. Toss these cards in a bowl, and don't look at them again until you have visited all the museums on your list. Once you have done so, review all the cards and look for similarities among them in terms of mediums chosen, time period of the artists, or the style of the artworks.
2. Visit your local library and find an art history book that spans at least four centuries of art from many different countries. Use sticky notes to mark your favorite pieces. Again, look for common elements to determine what you like the best.
• Match what you like with what you can afford and what is currently available to buy. Consult with knowledgeable art dealers or art appraisers about costs and availability of what you have selected. Determine your annual budget and the number of pieces you want to be able to purchase with that amount.
• Gather information about the quality of what you like, what you can afford, and what is currently available. Consult with museum personnel and knowledgeable art consultants about what they consider to be quality work.
• Join ancillary museum groups that offer lectures and exposure to valuable information.
• Subscribe to magazines that focus on the type of art you want to collect.
• Don’t rush to acquire art. For many, it’s a lifelong pursuit.
Starting a Contemporary Art Collection
Contact museum curators or art professionals in your area who do not sell.
1. Build a relationship with these professionals by attending lectures where they assemble.
2. Discuss your interest in collecting contemporary art and ask for their recommendations.
3. Listen for names being repeatedly identified as quality artists.
• Attend exhibitions at contemporary art galleries in your area. Ask for information about any work that interests you. This will help you understand what the artist intended for his or her work "to say."
• Go to national and international art fairs to gain additional exposure to contemporary art. Ask for information on work that interests you at these events as well.
• Contact prominent local contemporary artists working in a medium you like and ask them to identify their "hot picks."
• Supplement your efforts by reading art publications such as Art in America, Art Forum, and Art News, as well as magazines directed toward just one kind of medium, for example, Fiberarts or types of art for example, Latinarte, Native Peoples and American Indian Art magazines.
• Join ancillary museum groups focused on contemporary art. These events allow you to experience what experienced collectors of contemporary art have chosen. Travel to other cities with these groups to gain an even greater understanding of contemporary art.
• Do MOST of the steps described above before purchasing for your collection.
Monday, February 15, 2010
Sounding More Art Savvy
Want to sound like someone who is art savvy? Make sure you don't use the following art "faux pas."
• Using the word "seriagraph" - Actually, there is no such thing as a seriagraph. What you are attempting to reference is a form of printmaking known as a serigraph, screenprint or using past terminology, a silkscreen print.
• Using the word "sketches" - Those who are knowledgeable about art use the term "drawings" instead of sketches.
• Using the word "picture - The word picture suggests an item that is more decorative in nature, while the word "painting" denotes a valuable work of art. The word decorative tends to be used as a put down when commenting on the desirability of a work of art, somewhat akin to the word "interesting".
• Using the words "it's just a print" - There have been prints that have sold for several hundred thousand dollars, for example, works by Mary Cassatt, Pablo Picasso, Hokusai, and Sharaku. Aside from value, some artists did not create paintings, so their entire form of expression used printmaking. Sometimes effects achieved with printmaking cannot be accomplished with painting or drawing directly. If you meant "just a reproduction or a reproductive print", then you are commenting on a photograph of an existing artwork, which does not constitute an original work of art. This is entirely proper.
• Falling into the "art trap" - Whenever you are asked what you think about a painting, check to see if there are similar paintings in the room before responding. A family member or close friend may the proud artist. This is what I call the "art trap." A sharp observer will recognize that each piece is signed with the same name. Find something positive to say. Life in the art lane can be treacherous, but it is just like functioning as an expert witness, Think before you speak.
• Using the word "seriagraph" - Actually, there is no such thing as a seriagraph. What you are attempting to reference is a form of printmaking known as a serigraph, screenprint or using past terminology, a silkscreen print.
• Using the word "sketches" - Those who are knowledgeable about art use the term "drawings" instead of sketches.
• Using the word "picture - The word picture suggests an item that is more decorative in nature, while the word "painting" denotes a valuable work of art. The word decorative tends to be used as a put down when commenting on the desirability of a work of art, somewhat akin to the word "interesting".
• Using the words "it's just a print" - There have been prints that have sold for several hundred thousand dollars, for example, works by Mary Cassatt, Pablo Picasso, Hokusai, and Sharaku. Aside from value, some artists did not create paintings, so their entire form of expression used printmaking. Sometimes effects achieved with printmaking cannot be accomplished with painting or drawing directly. If you meant "just a reproduction or a reproductive print", then you are commenting on a photograph of an existing artwork, which does not constitute an original work of art. This is entirely proper.
• Falling into the "art trap" - Whenever you are asked what you think about a painting, check to see if there are similar paintings in the room before responding. A family member or close friend may the proud artist. This is what I call the "art trap." A sharp observer will recognize that each piece is signed with the same name. Find something positive to say. Life in the art lane can be treacherous, but it is just like functioning as an expert witness, Think before you speak.
Wednesday, February 10, 2010
Popular Art Galleries Of London
In this article, I write about some of the different art galleries which people can visit when they are in London. I would very much recommend that you make time during your trip to have a look around some of the places mentioned, as they are sure to add to your experience of visiting the capital city of England.
London is fast becoming a very popular weekend break destination with its long history and many attractions. As well as all of the most popular tourist attractions, such as Big Ben and The Tower Of London, there are number of quality art galleries which people can and should also visit.
The art galleries which I would recommend people to visit in London:
Queen's Gallery, Buckingham Palace
This gallery shows various pieces from the Royal Collection including famous works by Leonardo and Vermeer.
Their have been many additions to the amount of items on display after a recent extension. I personally like viewing the jewels that are on show, which are very impressive. The whole place is steeped in history and some of the pieces of furniture on display are not only worth huge sums of money, they are also extremely old and superbly maintained.
The National Gallery
There are a number of superb and famous paintings at the National Gallery including:
The Ambassadors
A Woman Bathing In A Stream
Virgin And Child With St Anne And John The Baptist
Rokeby Venus
The many paintings in this gallery date from 1260-1900.
National Portrait Gallery
This gallery opened in 1856 and houses many paintings and also some very famous portraits such as:
Margaret Thatcher
Germaine Greer
Shakespeare
Horatio Nelson
The Serpentine Gallery
This happens to be my favourite gallery as it tends to show more contemporary artists. It is located near Kensington Gardens and is a must in my opinion.
Tate Britain
Many people believe that this gallery has the best collection of British art in the world.
This gallery offers a free guided tour and there are films every day of the week.
Some of the paintings on show at the Tate Britain are:
Sancta Lilias
Flatford Mill
Norham Castle, Sunrise
Elohim Creating Adam
Pink And Green Sleepers
The Tate Modern
This is a fairly new gallery which is located on the South bank of the Thames.
It shows modern art from early 1900 to the present day.
As you can see there are a number of galleries which people can choose from. The ones I have mentioned above are among my favourites, however there are many more which people can also visit including:
Kenwood House
The Dulwich Picture Gallery
The Royal Academy
I hope you enjoy your time in London and find these art galleries as interesting as I do.
London is fast becoming a very popular weekend break destination with its long history and many attractions. As well as all of the most popular tourist attractions, such as Big Ben and The Tower Of London, there are number of quality art galleries which people can and should also visit.
The art galleries which I would recommend people to visit in London:
Queen's Gallery, Buckingham Palace
This gallery shows various pieces from the Royal Collection including famous works by Leonardo and Vermeer.
Their have been many additions to the amount of items on display after a recent extension. I personally like viewing the jewels that are on show, which are very impressive. The whole place is steeped in history and some of the pieces of furniture on display are not only worth huge sums of money, they are also extremely old and superbly maintained.
The National Gallery
There are a number of superb and famous paintings at the National Gallery including:
The Ambassadors
A Woman Bathing In A Stream
Virgin And Child With St Anne And John The Baptist
Rokeby Venus
The many paintings in this gallery date from 1260-1900.
National Portrait Gallery
This gallery opened in 1856 and houses many paintings and also some very famous portraits such as:
Margaret Thatcher
Germaine Greer
Shakespeare
Horatio Nelson
The Serpentine Gallery
This happens to be my favourite gallery as it tends to show more contemporary artists. It is located near Kensington Gardens and is a must in my opinion.
Tate Britain
Many people believe that this gallery has the best collection of British art in the world.
This gallery offers a free guided tour and there are films every day of the week.
Some of the paintings on show at the Tate Britain are:
Sancta Lilias
Flatford Mill
Norham Castle, Sunrise
Elohim Creating Adam
Pink And Green Sleepers
The Tate Modern
This is a fairly new gallery which is located on the South bank of the Thames.
It shows modern art from early 1900 to the present day.
As you can see there are a number of galleries which people can choose from. The ones I have mentioned above are among my favourites, however there are many more which people can also visit including:
Kenwood House
The Dulwich Picture Gallery
The Royal Academy
I hope you enjoy your time in London and find these art galleries as interesting as I do.
Wednesday, February 3, 2010
Oil On Canvas: Painting Conservation 101
Conservation is defined as remedial attention given to extend the life of a work of art. The process often reconstitutes missing material by additions. These additions may be either visible or invisible and serve to restore the work's unity.
One of the most noticeable defects the public observes on a painted surface is craquelure. Craquelure appears as a minute crazing pattern on a painting's surface. The following layers make up a painting:
1. Stretcher bars are covered by a canvas support
2. Canvas is coated with a sizing medium
3. Gesso (a ground layer) is applied over the sizing medium
4. Paint is layered over the sizing medium
5. Varnish is capped over all these layers
Ideally all these layers dry uniformly. When the harmony of these layers is disrupted, a problem results, requiring conservation. For instance, as the different layers absorb and release moisture, expansion and contraction take place. As the materials age, the ongoing process of change can take its toll. Vibrations when art is transported can be harmful to one or more layers, even though temperature and humidity are controlled.
Returning to craquelure, it is understandable that the canvas has responds to a change in climactic conditions by either shrinking or swelling. The amount of stress might differ from the ground or paint layer. As these materials react to change differently, they result first in craquelure and finally become cleavage. Cleavage is the paint layer lifting from the canvas.
When craquelure appears as a function of age, it is generally left untouched, provided the painting is still legible. Should this condition become cleavage, a professional conservator must be consulted.
Another easily noticed problem is a slackening of the canvas, producing more "play" than was originally intended. Examine the stretcher bars. If all the corners are fixed by glue or nails and cannot be adjusted mechanically, your painting is attached to strainer bars, not stretcher bars. Stretcher bars have keys (wedges of wood that permit adjusting of the bars) or sophisticated metal elements that allow for adjustments. A canvas left for many years on strainer bars could rip once the canvas becomes brittle.
Yellowing or darkening varnish is another readily recognizable issue. About every 25 years, review canvases for a re-application of varnish. First the original varnish must be removed by a professional conservator.
Frequently-Asked Questions
How do I find a good conservator? American Institute of Conservation in Washington, DC 202 452-9545 is one source of competent people. Call your local large museums for recommendations as well as art appraisers in your area.
What can I expect from a conservator? It is customary for you to be provided
a) Estimated cost of treatment
b) Estimated time to complete the treatment
c) Conservator's steps to complete treatment
d) Anticipated result from the treatment (identification of what is possible to remedy and to what degree)
How are the fees assessed? Conservators guestimate the number of hours needed to complete the work (based on their past experience).
Word of caution: Find out if your conservator has insurance and if so, how much and what are the limitations of their coverage. If they do not, call your insurance company to find out their position on insuring your property while it is in the hands of a conservator.
One of the most noticeable defects the public observes on a painted surface is craquelure. Craquelure appears as a minute crazing pattern on a painting's surface. The following layers make up a painting:
1. Stretcher bars are covered by a canvas support
2. Canvas is coated with a sizing medium
3. Gesso (a ground layer) is applied over the sizing medium
4. Paint is layered over the sizing medium
5. Varnish is capped over all these layers
Ideally all these layers dry uniformly. When the harmony of these layers is disrupted, a problem results, requiring conservation. For instance, as the different layers absorb and release moisture, expansion and contraction take place. As the materials age, the ongoing process of change can take its toll. Vibrations when art is transported can be harmful to one or more layers, even though temperature and humidity are controlled.
Returning to craquelure, it is understandable that the canvas has responds to a change in climactic conditions by either shrinking or swelling. The amount of stress might differ from the ground or paint layer. As these materials react to change differently, they result first in craquelure and finally become cleavage. Cleavage is the paint layer lifting from the canvas.
When craquelure appears as a function of age, it is generally left untouched, provided the painting is still legible. Should this condition become cleavage, a professional conservator must be consulted.
Another easily noticed problem is a slackening of the canvas, producing more "play" than was originally intended. Examine the stretcher bars. If all the corners are fixed by glue or nails and cannot be adjusted mechanically, your painting is attached to strainer bars, not stretcher bars. Stretcher bars have keys (wedges of wood that permit adjusting of the bars) or sophisticated metal elements that allow for adjustments. A canvas left for many years on strainer bars could rip once the canvas becomes brittle.
Yellowing or darkening varnish is another readily recognizable issue. About every 25 years, review canvases for a re-application of varnish. First the original varnish must be removed by a professional conservator.
Frequently-Asked Questions
How do I find a good conservator? American Institute of Conservation in Washington, DC 202 452-9545 is one source of competent people. Call your local large museums for recommendations as well as art appraisers in your area.
What can I expect from a conservator? It is customary for you to be provided
a) Estimated cost of treatment
b) Estimated time to complete the treatment
c) Conservator's steps to complete treatment
d) Anticipated result from the treatment (identification of what is possible to remedy and to what degree)
How are the fees assessed? Conservators guestimate the number of hours needed to complete the work (based on their past experience).
Word of caution: Find out if your conservator has insurance and if so, how much and what are the limitations of their coverage. If they do not, call your insurance company to find out their position on insuring your property while it is in the hands of a conservator.
Friday, January 22, 2010
How To Buy Oil Paintings?
How To Buy Oil Paintings
I have a custom made oil painting displayed in my living room. I gaze upon it each day. It’s a portrait of a woman during sunset and half turned. Every single day I look at it and I am amazed as to what she might be thinking, sometimes I feel as though the painting has changed somehow. It gives new meaning every time I see it. Every person who has looked at it had a different interpretation of what the Painting suggested. It sparks the imagination. It triggers your emotion and makes you think. Such is the power of those glossy portraits created by the brilliant artists.
Oil Paintings give the visual appeal to your home or work place. Placed strategically this could mean a serene atmosphere at home or an inviting ambience to your office, which definitely makes your client at ease in your office. This could be the edge over the rest of your competitors.
Did you ever wonder how you could buy those high quality-stunning oil paintings? Most galleries present you with only a limited range of painting. Only the exclusive and famous artists have the opportunity to display the art in such places. The only place you could find work of art from both prominent as well as upcoming artist are real high quality websites.
At first even I was of the opinion that online purchase of such work of art may not be the best-suited method to get genuine high quality work. But when I heard about custom designs from well-known artists that could be offered right to your doorstep I was just thrilled. There is also a money back guarantee if there is any dissatisfaction towards the delivered material.
The online shops have a wide range of portraits, themes ranging from landscapes, still life, abstracts, cubism, religion, and much more. The list is endless. The Painting include real popular artist like van Gough, Jack Vettriano from early 19th century to the most recent celebrity artist. The catalog shows snapshots of the real work so you would know what to expect from the real McCoy.
They even have a Portrait Service. With Portrait Service the artist turns an old photograph, which has lost its graphic details into a real looking image of any size. With this we could keep our memories framed forever.
Custom paintings are made with just an idea that you have. It is amazing how artists could turn your vision into reality. They make a drafted version for your approval and in about a week the final Painting is ready and shipped to you.
The purchased painting is shipped home in sturdy tube containers for a small additional cost. Every care is taken to deliver the work of art safely to you. There is also choice for of Framing Service so you could portray the images in apt background. Even the range of frames available is displayed.
Well we always are worried that a transaction is not going to be safe over the Internet. It is just not so. With SSL technology you could make the transaction without having to fret over hackers taking away all your money. Agencies such as 2checkout bring about some of the safest payment methods.
The shopping carts provided are very user friendly. It is very easy to just keep adding your favorite picture and make the final purchase when you checkout.
I have a custom made oil painting displayed in my living room. I gaze upon it each day. It’s a portrait of a woman during sunset and half turned. Every single day I look at it and I am amazed as to what she might be thinking, sometimes I feel as though the painting has changed somehow. It gives new meaning every time I see it. Every person who has looked at it had a different interpretation of what the Painting suggested. It sparks the imagination. It triggers your emotion and makes you think. Such is the power of those glossy portraits created by the brilliant artists.
Oil Paintings give the visual appeal to your home or work place. Placed strategically this could mean a serene atmosphere at home or an inviting ambience to your office, which definitely makes your client at ease in your office. This could be the edge over the rest of your competitors.
Did you ever wonder how you could buy those high quality-stunning oil paintings? Most galleries present you with only a limited range of painting. Only the exclusive and famous artists have the opportunity to display the art in such places. The only place you could find work of art from both prominent as well as upcoming artist are real high quality websites.
At first even I was of the opinion that online purchase of such work of art may not be the best-suited method to get genuine high quality work. But when I heard about custom designs from well-known artists that could be offered right to your doorstep I was just thrilled. There is also a money back guarantee if there is any dissatisfaction towards the delivered material.
The online shops have a wide range of portraits, themes ranging from landscapes, still life, abstracts, cubism, religion, and much more. The list is endless. The Painting include real popular artist like van Gough, Jack Vettriano from early 19th century to the most recent celebrity artist. The catalog shows snapshots of the real work so you would know what to expect from the real McCoy.
They even have a Portrait Service. With Portrait Service the artist turns an old photograph, which has lost its graphic details into a real looking image of any size. With this we could keep our memories framed forever.
Custom paintings are made with just an idea that you have. It is amazing how artists could turn your vision into reality. They make a drafted version for your approval and in about a week the final Painting is ready and shipped to you.
The purchased painting is shipped home in sturdy tube containers for a small additional cost. Every care is taken to deliver the work of art safely to you. There is also choice for of Framing Service so you could portray the images in apt background. Even the range of frames available is displayed.
Well we always are worried that a transaction is not going to be safe over the Internet. It is just not so. With SSL technology you could make the transaction without having to fret over hackers taking away all your money. Agencies such as 2checkout bring about some of the safest payment methods.
The shopping carts provided are very user friendly. It is very easy to just keep adding your favorite picture and make the final purchase when you checkout.
Great Tips for Buying Artwork Online
With plenty of artwork available online today, art lovers use this newfound market to secure masterpieces and home decor art at incredible prices. If you love to buy art, the Internet can be a valuable resource, saving you time and money. But first, learn to shop for art online wisely and be careful when choosing artwork. Use these tips to find quality artwork while keeping spending to a minimum.
Discover New Artists
The Internet offers a great opportunity to explore artwork and discover new artists. Use the power of search to find hundreds of artists. Then surf through their available paintings to find the styles that appeal to you. Ask questions about the artists by email or phone. Some artists or art retail companies use experienced art consultants to answer questions. Take advantage of this service when available.
Keep in mind that there are thousands of new artists who are very talented. Since they‚re just starting out, they might offer their paintings for far less than a famous artist. Some original paintings by new artists can increase in value tremendously over time, as the artist becomes better known in the art world.
Use search engines to find art by certain keywords such as: artist name, type of art (landscapes, people, antiques, flowers, children, animals), date or time period of artwork, and medium (watercolor, acrylic, oil).
Online Tools to See the Scale of the Painting
Use Web tools that enable you to see the actual size and scale of a painting and how it would look in a room on a wall. Some websites provide these tools to help art buyers see how the artwork would look on their wall. They can choose different wall colors, frames, matting, and a variety of sizes to get a feel for how the art would complement their own home.
Authentication - Is It Important?
Buying art online is similar to buying jewelry or any other high-ticket retail item. Whether authentication is important or not is really up to you as the buyer. A good rule of thumb is if you plan to spend hundreds or thousands of dollars on a piece of art for investment purposes, then you'll want to be sure it's authentic. Use an authenticity service that you feel comfortable with and make sure the painting is not a reproduction or digital reproduction.
Also, consider if having original pieces of art is important to you. Some art lovers admire the detail, love, and experience put into a sole piece of art. They are very willing to pay more for original paintings, even if only for pleasure.
If you want artwork simply for decorating your home and have a limited budget, digital reproductions are available online at very affordable prices. These reproductions look similar to the originals, but have been reproduced for mass distribution.
Visit Local Galleries
You can also find great new artists and ideas by visiting your local art galleries. Take pen and paper with you to write down artists or the names of paintings that catch your eye. Then go online to search for these artists to see their other paintings.
Always check out online art retailers through the Better Business Bureau (BBB) Online to be sure the companies are trustworthy. Buying artwork online can be an enjoyable experience if you take time to explore all the beautiful paintings and find artwork that fits your style and budget.
Discover New Artists
The Internet offers a great opportunity to explore artwork and discover new artists. Use the power of search to find hundreds of artists. Then surf through their available paintings to find the styles that appeal to you. Ask questions about the artists by email or phone. Some artists or art retail companies use experienced art consultants to answer questions. Take advantage of this service when available.
Keep in mind that there are thousands of new artists who are very talented. Since they‚re just starting out, they might offer their paintings for far less than a famous artist. Some original paintings by new artists can increase in value tremendously over time, as the artist becomes better known in the art world.
Use search engines to find art by certain keywords such as: artist name, type of art (landscapes, people, antiques, flowers, children, animals), date or time period of artwork, and medium (watercolor, acrylic, oil).
Online Tools to See the Scale of the Painting
Use Web tools that enable you to see the actual size and scale of a painting and how it would look in a room on a wall. Some websites provide these tools to help art buyers see how the artwork would look on their wall. They can choose different wall colors, frames, matting, and a variety of sizes to get a feel for how the art would complement their own home.
Authentication - Is It Important?
Buying art online is similar to buying jewelry or any other high-ticket retail item. Whether authentication is important or not is really up to you as the buyer. A good rule of thumb is if you plan to spend hundreds or thousands of dollars on a piece of art for investment purposes, then you'll want to be sure it's authentic. Use an authenticity service that you feel comfortable with and make sure the painting is not a reproduction or digital reproduction.
Also, consider if having original pieces of art is important to you. Some art lovers admire the detail, love, and experience put into a sole piece of art. They are very willing to pay more for original paintings, even if only for pleasure.
If you want artwork simply for decorating your home and have a limited budget, digital reproductions are available online at very affordable prices. These reproductions look similar to the originals, but have been reproduced for mass distribution.
Visit Local Galleries
You can also find great new artists and ideas by visiting your local art galleries. Take pen and paper with you to write down artists or the names of paintings that catch your eye. Then go online to search for these artists to see their other paintings.
Always check out online art retailers through the Better Business Bureau (BBB) Online to be sure the companies are trustworthy. Buying artwork online can be an enjoyable experience if you take time to explore all the beautiful paintings and find artwork that fits your style and budget.
Wednesday, January 13, 2010
Art Theft: Most Famous Cases in History
Art theft is an ancient and complicated crime. When you look at the some of the most famous cases of art thefts in history, you see thoroughly planned operations that involve art dealers, art fakers, mobsters, ransoms, and millions of dollars. Here you can read about some of the most famous cases of art theft in the history.
The First Theft:
The first documented case of art theft was in 1473, when two panels of altarpiece of the Last Judgment by the Dutch painter Hans Memling were stolen. While the triptych was being transported by ship from the Netherlands to Florence, the ship was attacked by pirates who took it to the Gdansk cathedral in Poland. Nowadays, the piece is shown at the National Museum in Gdansk where it was recently moved from the Basilica of the Assumption.
The Most Famous Theft:
The most famous story of art theft involves one of the most famous paintings in the world and one of the most famous artists in history as a suspect. In the night of August 21, 1911, the Mona Lisa was stolen out of the Louver. Soon after, Pablo Picasso was arrested and questioned by the police, but was released quickly.
It took about two years until the mystery was solved by the Parisian police. It turned out that the 30×21 inch painting was taken by one of the museum employees by the name of Vincenzo Peruggia, who simply carried it hidden under his coat. Nevertheless, Peruggia did not work alone. The crime was carefully conducted by a notorious con man, Eduardo de Valfierno, who was sent by an art faker who intended to make copies and sell them as if they were the original painting.
While Yves Chaudron, the art faker, was busy creating copies for the famous masterpiece, Mona Lisa was still hidden at Peruggias apartment. After two years in which Peruggia did not hear from Chaudron, he tried to make the best out of his stolen good. Eventually, Peruggia was caught by the police while trying to sell the painting to an art dealer from Florence, Italy. The Mona Lisa was returned to the Louver in 1913.
The Biggest Theft in the USA:
The biggest art theft in United States took place at the Isabella Stewart Gardner Museum. On the night of March 18, 1990, a group of thieves wearing police uniforms broke into the museum and took thirteen paintings whose collective value was estimated at around 300 million dollars. The thieves took two paintings and one print by Rembrandt, and works of Vermeer, Manet, Degas, Govaert Flinck, as well as a French and a Chinese artifact.
As of yet, none of the paintings have been found and the case is still unsolved. According to recent rumors, the FBI are investigating the possibility that the Boston Mob along with French art dealers are connected to the crime.
The Scream:
The painting by Edvard Munchs, The Scream, is probably the most sought after painting by art thieves in history. It has been stolen twice and was only recently recovered. In 1994, during the Winter Olympics in Lillehammer, Norway, The Scream was stolen from an Oslo gallery by two thieves who broke through an open window, set off the alarm and left a note saying: thanks for the poor security.
Three months later, the holders of the painting approached the Norwegian Government with an offer: 1 million dollars ransom for Edvard Munchs The Scream. The Government turned down the offer, but the Norwegian police collaborated with the British Police and the Getty Museum to organize a sting operation that brought back the painting to where it belongs.
Ten years later, The Scream was stolen again from the Munch Museum. This time, the robbers used a gun and took another of Munchs painting with them. While Museum officials waiting for the thieves to request ransom money, rumors claimed that both paintings were burned to conceal evidence. Eventually, the Norwegian police discovered the two paintings on August 31, 2006 but the facts on how they were recovered are not known yet.
The First Theft:
The first documented case of art theft was in 1473, when two panels of altarpiece of the Last Judgment by the Dutch painter Hans Memling were stolen. While the triptych was being transported by ship from the Netherlands to Florence, the ship was attacked by pirates who took it to the Gdansk cathedral in Poland. Nowadays, the piece is shown at the National Museum in Gdansk where it was recently moved from the Basilica of the Assumption.
The Most Famous Theft:
The most famous story of art theft involves one of the most famous paintings in the world and one of the most famous artists in history as a suspect. In the night of August 21, 1911, the Mona Lisa was stolen out of the Louver. Soon after, Pablo Picasso was arrested and questioned by the police, but was released quickly.
It took about two years until the mystery was solved by the Parisian police. It turned out that the 30×21 inch painting was taken by one of the museum employees by the name of Vincenzo Peruggia, who simply carried it hidden under his coat. Nevertheless, Peruggia did not work alone. The crime was carefully conducted by a notorious con man, Eduardo de Valfierno, who was sent by an art faker who intended to make copies and sell them as if they were the original painting.
While Yves Chaudron, the art faker, was busy creating copies for the famous masterpiece, Mona Lisa was still hidden at Peruggias apartment. After two years in which Peruggia did not hear from Chaudron, he tried to make the best out of his stolen good. Eventually, Peruggia was caught by the police while trying to sell the painting to an art dealer from Florence, Italy. The Mona Lisa was returned to the Louver in 1913.
The Biggest Theft in the USA:
The biggest art theft in United States took place at the Isabella Stewart Gardner Museum. On the night of March 18, 1990, a group of thieves wearing police uniforms broke into the museum and took thirteen paintings whose collective value was estimated at around 300 million dollars. The thieves took two paintings and one print by Rembrandt, and works of Vermeer, Manet, Degas, Govaert Flinck, as well as a French and a Chinese artifact.
As of yet, none of the paintings have been found and the case is still unsolved. According to recent rumors, the FBI are investigating the possibility that the Boston Mob along with French art dealers are connected to the crime.
The Scream:
The painting by Edvard Munchs, The Scream, is probably the most sought after painting by art thieves in history. It has been stolen twice and was only recently recovered. In 1994, during the Winter Olympics in Lillehammer, Norway, The Scream was stolen from an Oslo gallery by two thieves who broke through an open window, set off the alarm and left a note saying: thanks for the poor security.
Three months later, the holders of the painting approached the Norwegian Government with an offer: 1 million dollars ransom for Edvard Munchs The Scream. The Government turned down the offer, but the Norwegian police collaborated with the British Police and the Getty Museum to organize a sting operation that brought back the painting to where it belongs.
Ten years later, The Scream was stolen again from the Munch Museum. This time, the robbers used a gun and took another of Munchs painting with them. While Museum officials waiting for the thieves to request ransom money, rumors claimed that both paintings were burned to conceal evidence. Eventually, the Norwegian police discovered the two paintings on August 31, 2006 but the facts on how they were recovered are not known yet.
Art - Make It Your Next Investment
There are a lot of people who enjoy decorating with beautiful and original pieces of art. Some may think that they spent a fortune on it, but if the attended an art festival they nay have found a bargain.
Attending an art festival to look for your next purchase of a piece of art is a great way to save money. You never know what you are going to find. There are many different artists supplying a variety in different pieces. Whether it is a wall hanging of sculpture for your prize garden there is a choice. You could even be buying a piece of work made by a future artist who works will one day be worth a small fortune.
If you are a collector or a dealer of art this is an excellent opportunity to purchase for your own investment. It doesn't matter what you are looking for you will most likely find it.
You don't have to go just to make a purchase either. You can just simply get an idea of some things you might want to purchase in the future. Get an idea of the different types of art that is out there. Discover what your taste in art is. It is a nice way to just enjoy your day. Art usually has a calming effect on most people so just go to simply enjoy a day off. There are other things to do when you attend an art festival.
Some people go to art festivals in search of other homemade products. There are stands that sell beaded jewelry. Silver and turquoise is another popular choice in homemade jewelry. This is a great way to purchase something different. Some of it being better quality then jewelry you'll find in a department store.
Crafts are another thing sought out when one attends an art festival. Some of us love crafts, but just don't have the knack to make our own. It is also a great way for crafty people to sell their pieces. Making a profit off their hobby.
Art festivals are annual events in most areas. You may not live somewhere an art festival is held. You can search on the Internet to find out if there is an art festival held in a near by location to you. If you truly love art you won't mind the extra time it takes to attend a festival. Art festivals are a rewarding experience to both who attended them and the artists selling their works. It is something to look forwarded to every year knowing that you will again experience the endless talent of the locals near you.
Attending an art festival to look for your next purchase of a piece of art is a great way to save money. You never know what you are going to find. There are many different artists supplying a variety in different pieces. Whether it is a wall hanging of sculpture for your prize garden there is a choice. You could even be buying a piece of work made by a future artist who works will one day be worth a small fortune.
If you are a collector or a dealer of art this is an excellent opportunity to purchase for your own investment. It doesn't matter what you are looking for you will most likely find it.
You don't have to go just to make a purchase either. You can just simply get an idea of some things you might want to purchase in the future. Get an idea of the different types of art that is out there. Discover what your taste in art is. It is a nice way to just enjoy your day. Art usually has a calming effect on most people so just go to simply enjoy a day off. There are other things to do when you attend an art festival.
Some people go to art festivals in search of other homemade products. There are stands that sell beaded jewelry. Silver and turquoise is another popular choice in homemade jewelry. This is a great way to purchase something different. Some of it being better quality then jewelry you'll find in a department store.
Crafts are another thing sought out when one attends an art festival. Some of us love crafts, but just don't have the knack to make our own. It is also a great way for crafty people to sell their pieces. Making a profit off their hobby.
Art festivals are annual events in most areas. You may not live somewhere an art festival is held. You can search on the Internet to find out if there is an art festival held in a near by location to you. If you truly love art you won't mind the extra time it takes to attend a festival. Art festivals are a rewarding experience to both who attended them and the artists selling their works. It is something to look forwarded to every year knowing that you will again experience the endless talent of the locals near you.
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